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4 articles
Outdoor light trails, winter festivals and rain-soaked pop-ups are where haptic hardware goes to be humbled. Cold fingers feel less, gloves block more, and condensation gets everywhere — and most demos are still tuned in a 21°C lab.
VR has spent years selling itself through sight and sound. For Deafblind users, the interesting work begins when both are turned down. We look at the UK studios, charities and design principles trying to make touch the primary interface — and where mainstream hardware still misses the mark.
Gloves get the headlines, but they are the least likely thing to be worn by a room full of trainees in Salford. A look at the vests, bands, desk pads and seat units that could make haptics genuinely useful outside gaming, and what UK buyers should test before signing anything.
A practical look at six UK studios putting physical feedback at the centre of interactive design — in ticket halls, clinics, shop floors and public squares — and the very British constraints that shape how they work.